Scroll down to listen to “Come Down” (Opens in Spotify)
“You know, they’re actually way better live.” Every music snob worth their salt has said this–whether to assert dominance in a conversation with other snobs (seeing a band live garners ultimate cred) or to lamely save face when a fellow listener is underwhelmed by a studio recording.
Neither circumstance is true in this case. Based on what I’ve seen on NPR’s Tiny Desk and other videos, Anderson.Paak and the Free Nationals do truly sound better live. Perhaps a live setting just provides a better conduit for Paak’s vim, or that live musicians have an ability to mesh more organically than a drum track. But that’s not to take anything away from the recorded version of this song, which was stuck in my head for most of last week.
“Come Down” is just as tough to pin down as Anderson.Paak himself. He’s a drummer, but also a singer, but also a rapper, just as the song is hip-hop, but also soul, but also alternative. He’s got a vocal texture reminiscent of a young James Brown, with a bright, gritty timbre. Unlike Brown, though, Paak foregoes drawn-out shouts and squeals in favor of a machine-gun attack of hard consonants–his drummer’s sense of rhythm is present in every hard “c” and “t.” His delivery is a speak/sing mix, that, along with the instrumentation and deft guitar playing in the backing track calls to mind Cake, but steeped in a cultural stew (African-American, Asian, Mexican) that is unmistakably LA.
Artists like Anderson.Paak that defy easy categorization have always been my favorites, and I hope Paak continues to add influences and rely a little more heavily on live instrumentation as he develops. In the meantime, though, I’ll be looking for concert tickets.