Song of the Week: Cry to Me, Solomon Burke

Scroll Down to Listen to “Cry to Me,” by Solomon Burke (plays in Spotify)

Now I can’t pretend to any music nerd cred on this one—though the song was originally released on Atlantic, I heard it when I went to go see Guy Ritchie’s remake of The Man from U.N.C.L.E. (It was also, Wikipedia tells me, in Dirty Dancing). I knew of Solomon Burke beforehand, but hand’t explored much of his catalogue. For the average listener, he’s frankly a second-tier star, and maybe with good reason. Well, apart from this song.

It’s everything you could want from an early ‘60s song. It hits that ideal spot between Motown pop, rock & roll, and the Muscle Shoals sound. That glorious space in the recording and luscious reverb date the track without making it sound kitschy. It’s been called “proto-soul,” which is accurate but misleading because it implies that it’s not a fully-fledged musical statement in its own right.

Of course the standout is Burke’s voice, which is a lovely instrument—it incites while the music soothes, keeping that hint of internal tension you need to keep a song compelling. It’s the give-and-take that makes the song so strong, and Burke avoids the tendency of Otis Redding and other “shouters” to overwhelm the band.

Spin it at your next swingin’ get-together, hepcat.

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