Song of the Week: If I’m Unworthy (Live), Blake Mills

Click Here to listen to “If I’m Unworthy (Live),” by Blake Mills

Part of the appeal of electric guitar is that it can be punishingly loud, walloping you with waves of gritty, gluey sound. Blake Mills understands this better than a lot of other guitarists, even though he seems like a mild-mannered barista.

Actually, he understands something much less obvious: that volume and power don’t deprive you of subtlety. This rendition of “If I’m Unworthy,” a track off of his 2014 album Heigh-Ho, proves it.

The song’s backbone is a single punishingly loud guitar tuned way down (open C#, if anyone cares). As I listened through, I kept picturing boiling lava in my mind’s eye: this powerful substance, gloopy and oozy, that still manages to pop and crackle with surprising quickness. Listen to the great dynamic contrast around :40, or the harmonic at about 1:09, right before he locks into the song’s main groove. The introduction itself attains a kind of precise sloppiness available only to the best players.

Mills effortlessly keeps a bass line and rhythmic accompaniment going as he sings, in a way that is derived from old blues players and funneled through the Black Keys and White Stripes, although Mills involves more harmonically complex ideas than his antecedents.

And while you get caught up in that complexity, as well as Mills’ not-bad-at-all voice, you’re reminded that this song is essentially about celebrating the guitar’s power when he takes a solo break at…you know what? I’m not going to tell you the time. But I think if you were in the studio when it happened, your eardrums finally popped.

After I finish listening to this song, I feel oddly cleansed. Perhaps it’s the contrast of noise to silence, but I think even more than that it’s because Mills performs in a very reverent way—it is spiritual, emotional exercise. And it rocks.

One thought on “Song of the Week: If I’m Unworthy (Live), Blake Mills

  1. I have had a specific thought about one part of this song, and I think this nondescript comment section is finally the appropriate place to express it.

    This song is all bout guitar tone, and between the downtuning and amp distortion (especially on the album version) I think the best word to describe that tone is “farty.” I mean that in the most flattering possible way, if there is a flattering way to mean such a term. I think we can agree that only Blake Mills can emulate fart sounds with his guitar and make them sound good though.

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